授课方式 | 上海线下
课程类别 | 景观/城设
课前准备 |课程开课前熟悉Photoshop、Illustrator、Indesign、Rhino的操作应用，了解通过这些软件做图的基本方法。
授课时间 | 2020年8月04日，持续四周的时间
Studio人数 |8人
注：studio课题为竞赛课题，主要以完成项目为主，学员想要投递竞赛，需自行投递。
未签约学员咨询报名前咨询客服主页菌； 已经签约RAC学员可用课时兑换
Studio背景
This design competition—the third in the LA+ international series—asks whether we can live with animals in new ways, whether we can transcend the dualism of decimation on the one hand and protection on the other, and how we can use design to open our cities, our landscapes, and our minds to a more symbiotic existence with other creatures.
参赛资格：不限
报名费用：无
Studio内容
课程目的:
LA+ CREATURE竞赛要求参赛者及作品做到以下几点：
首先，选择一个非人类生物作为你的设计对象(物种、体型、地区不限)，并确定它的需求(能量，庇护所，繁殖，运动，交流，环境，等等)。
其次，设计(或重新设计)一个场所、结构、产品、系统或过程，以改善设计对象的生活。
第三，你的设计必须在某种程度上提高人们对该对象存在的意识和同理心。
The LA+ CREATURE design ideas competition asks entrants to do three things:
· First, choose a nonhuman creature as your client (any species, any size, anywhere) and identify its needs (energy, shelter, procreation, movement, interaction, environment, etc.).
· Second, design (or redesign) a place, structure, thing, system, and/or process that improves your client’s life.
· Third, your design must, in some way, increase human awareness of and empathy towards your client’s existence.
For jury panel, submission requirements, competition conditions, and Q+A, see menu tabs above.
参考书目:
Jennifer Wolch & Marcus Owens, “Animals in Contemporary Architecture and Design,” Humanimalia: a journal of human/animal interface studies 8, no. 2 (Spring 2017) 1–26.
Jennifer Wolch, “Zoopolis” in Jennifer Wolch & Jody Emel, Animal Geographies: Place, Politics, and Identity in the Nature-Culture Borderlands (Verso, 1998) 119–138.
Ursula Heise, Imagining Extinction: The Cultural Meanings of Endangered Species (University of Chicago Press, 2016).
Timothy Morton, Humankind: Solidarity with Nonhuman People (Verso, 2017).
Richard Weller, Zuzanna Drozdz & Sara Padgett Kjaersgaard, “Hotspot Cities: Identifying Peri-Urban Conflict Zones in the World’s Biodiversity Hotspots,” no. 1 (2019) JoLA: Journal of Landscape Architecture (2019), 36–47.
John Beardsley, Designing Wildlife Habitats: Dumbarton Oaks Colloquium on the History of Landscape architecture XXXIV (Dumbarton Oaks, 2013).
Chris Reed & Nina-Marie Lister, Projective Ecologies (Actar, 2014).
Kate Orff & SCAPE, Toward an Urban Ecology (Monacelli Press, 2016), chap 2 “Cohabit.”
Peter Atkins, Animal Cities: Beastly Urban Histories (Routledge, 2016).
Donna Haraway, When Species Meet (University of Minnesota Press, 2008).
Lori Gruen (ed), Critical Terms for Animal Studies (University of Chicago Press, 2018).
Richard Weller, “The Garden of Intelligence,” Transition: Discourses on Architecture 59 (1998) 114–132. (text)
Caspar Henderson, The Book of Barely Imagined Beings: A 21st Century Bestiary (University of Chicago Press, 2013).
Animal Series (Reaktion Books, UK).
Richard Weller, Claire Hoch & Chieh Huang, Atlas for the End of the World.
LA+ WILD, LA+ Interdisciplinary Journal of Landscape Architecture, no. 1 (2015).
Studio意向成果
Studio时间表
Week 1
C1 08.04 开题课程讲座：设计题目解读
Assignment：Research 分组作业
C2 08.04 分组确认概念方向 research交流汇报
Assignment：Research visualization深化
C3 08.06 分组确认概念方向 research交流汇报
C4 08.08 课程讲座：research visualization
Assignment：深化research部分，概念草模制作
Week 2
C5 08.10 分组讨论深化方案
Assignment：完成research部分，完成草模部分。进入平面设计
C6 08.11 深化设计3D
Assignment：深化设计3D
C8 08.13 分组讨论深化方案
Assignment：深化设计3D
C9 08.15 分组讨论深化方案
Week 3
C7 08.17 中期汇报
Assignment：prepare for final presentation
C10 08.18分组讨论深化方案
C11 08.20 分组讨论深化方案
grading plan final push, 终模制作
C12 08.22 分组讨论深化方案
Week 4
C13 08.24 分组讨论深化方案
C14 08.25 课程讲座：public speaking
C15 08.27 分组讨论深化方案
C16 08.29 final presentation
竞赛报名开放时间：2020年08月01日
竞赛提交截止时间：2020年10月20日
at 11.59 EDT (Philadelphia, USA time)
竞赛获奖公布时间：2020年12月8日
竞赛获奖作品杂志刊登时间：2021年秋季
更多竞赛相关消息可至竞赛官网：https://laplusjournal.com/LA-CREATURE_ABOUT